by Craig Coussins

Search this site powered by FreeFind

Home page and menu

"The book "Bonsai School" was in my mailbox two days ago. The best thing I can say about the book is that after just a couple of pages I started saying to myself, " I didn't know that". After 23 years of bonsai it was great to see a book that was teaching me new things page after page. The book is a beautiful book. It is the first book that I believe that I could use "as is" as a text book to teach a very complete course on bonsai. I'm not certain how you will produce a "College of Bonsai" but I want a copy as soon as it's off the press. It is going to be a very successful book with a long shelf life at the stores."

Joe Day
Bonsai Teacher, Alabama

From Publishers Weekly
With colour photographs on almost every page, Coussin's guide forms a lovely and thorough introduction to the ancient art of bonsai gardening. The book covers every aspect of the art, from choosing a plant and a pot to training a bonsai with wiring and pruning techniques. In addition to introductory sections on the evolution of bonsai and the relation between bonsai gardening and Buddhism, the book contains dozens of short articles by experienced bonsai gardeners from around the world. Italian Bonsai artist,  Patrizia Capellaro, for example, explains how to style a large juniper bonsai, while American Lit Van Phan analyzes how the miniature landscape style Hon Non Bo reflects the larger landscapes of Viet Nam. This is an excellent manual for anyone eager to try his or her hand at a hobby that just might offer "a lifelong path to enlightenment," as Coussins suggests,


Copyright 2003 Reed Business Information, Inc.

Books and Articles
by Craig Coussins
 please excuse the slightly long download due to large amount of images on some pages.

All articles are well illustrated and feature a great deal of information that should allow you to learn or understand most of the issues that you need to grow Bonsai and Penjing correctly.

 
Bonsai School Nth America

Books by Craig Coussins

Bonsai for Beginners
Bonsai Forests for Beginners
Bonsai, A Step-by-Step Guide
Bonsai School
Bonsai Artist
Growing Bonsai
Totally Bonsai


 


Two articles on Trees Sensing Danger

Do trees recognise danger? Do they hurt?

I heard a broadcaster, Ann Swithenbank on a weekly gardening programme at the beginning of February talking about her hatred of Bonsai .Ms Swithenbank felt that bonsai artists were torturing the trees and that they should be left alone to develop into a full size tree. Well everyone is entitled to their opinion, and despite many hundreds of thousands of enthusiasts worldwide, and despite the fact that growing small trees are part of some people’s national culture. MS Swithenbank happily ranted against the entire hobby.  Ms Swithenbank then went on to decry Bonsai growers who display their collection on Benches. I am not sure if this is much different from growing Pot plants on benches in a greenhouse or outside. Or perhaps growing any plant in a pot is offensive to some people. I am sure that this is the case. Well bonsai growers actually have a life and their dedication in the hobby can be just as interesting as any other part of the human need for hobbies and pastimes. Not according to Ms Swithenbank who has just stated that Bonsai growers are cruel. I do not see why this should be a valid point of view though. To prune and keep the shape is not a great deal of difference to mowing a lawn, pruning a hedge or any other technique to keep something in shape and to keep the plant healthy and full of vigour. 
 

I don’t think that the Japanese art of Bonsai, the Chinese art of Penjing , never mind the tray landscapes of Vietnam and the knowledge handed down over thousands of years from father to son and daughter should be so easily cast aside by someone in such a powerful position as a television and radio presenter. For Ms Swithenbank to damage the reputation of growers and enthusiasts all over the world is less than savoury. Ms Swithenbank is a well known and talented horticulturist so why she has chosen to attack a large segment of her admirers and denigrate an entire hobby is somewhat less than pleasant.#

A bonsai is grown, created, styled, developed and made into a stunning miniature representation of a mature tree. A bonsai can be grown from a seed or shaped from a larger collected tree. The collected tree is usually struggling as a living plant and ideal collected trees may have perhaps one or two living branches while the rest of the tree and perhaps part pf the trunk, being dead. These dead elements are shaped by a master into shapes that illustrate the struggle the tree has had in nature. . However, if the tree is not carefully put into excellent soil, has its buds nipped back, pruned and cut, the tree will not survive. After all whet is a dead tree but a dead tree.  
no more than six inches high

The size surprises some people with collected and grown trees being anywhere from a few inches to over 2 metres. In nature there re natural Bonsai, where the growth has been subjected to severe wind, damaging falls of snow, freezing temperatures or blistering sun. All depends on the country and climate of course. Left there, these trees would eventually expire. The bonsai grower carefully studies the tree, checks the root growth and after careful lifting, brings the ailing tree back to their new home.  Without the horticultural knowledge then the collected tree would inevitably die.

Collecting trees and shrubs has been part of horticultural knowledge gathering for centuries.  Based on that knowledge horticulturist have gained their extensive experience. Bonsai growers simply make a tree that they grow a very happy tree and as you can always see at an exhibition or in their gardens. A note to Ms Swithenbank: The RHS would not have supported this hobby by allowing the venerable Bonsai author and grower, Peter Chan to mount a wonderful permanent exhibition at Wisley if they actually agreed with Ms Swithenbank point of view. . Yes it is a point of view but some points of view should be kept very quiet if it offends a huge part of the society that Ms Swithenbank lives in. I reiterate that she is in a powerful position and should know better than to alienate her fans and the programmes fan base.

Craig Coussins.

Bonsai grower, author of five best selling books on Bonsai and a fan of Anne Swithenbank

 

 

Do trees sense danger?

The giant Sequoia Sequoiadendron Gigantium  will have cones on its branches for fifty years and more but only shed the seed if it feels threatened by fire, A common event in old woodlands. Indeed most trees when sensing danger in its environment start to conserve energy and  shed seed. Indeed when some species such as Larch, Larix Decidua, are threatened they will start to put on copious amounts of cone and the energy expended in that will probably kill it but not until the seed has a chance to disperse. There is a saying we have in English called ‘going to seed’. That means that when trees are stressed they will start to put on their seed making hats and go forth and multiply.

In Bonsai it is sometimes the season near that trees end game that we look for when collecting a tree from the wild,. The tree may well be very old, have a large trunk and a lot of dead brunches but with the one or two living branches but covered in cones or seed pods that we can decide if we can save it or let it go. If we save it then we have a natural tree with a lot of age and something that we as artists can work up to make a wonderful old looking tree. Its all part of the art of Bonsai.

So as a grower of nearly 40 years I can see that trees do have a sense of danger when threatened and they will protect their gene pool or species by ‘going to seed’.  Is that an instinct? In fact why should we not consider that trees have feelings? It may not be feelings that we as animals would recognise perhaps . In most cases plants that do seed will know when they are being stressed and they will be able to something about it. Is that instinctive? If it was a animal that we recognise we would say that was the case but for some reason we seem less able to accept that a plant can feel danger and do something about it.

Botanists at Rutgers University infected some tobacco plants with a virus. Within a few days, tobacco plants that were near the infected ones sensed the danger of the virus and then produced a chemical in their leaves that would protect themselves from the virus. The infected tobacco leaves gave off a chemical odour that the healthy leaves sensed, thus triggering their defensive mechanism. Plants, animals and humans can sense fear or danger through a fine sense of smell or odour detection. Some do it through sensing subtle vibrations. Finely tuned standard senses may explain some psychic powers certain people seem to have.

John Z. Kiss, Professor of Horticulture and now at Rutgers says: Plants rely on sophisticated mechanisms to interpret the constant bombardment of incoming signals so they can adjust their growth accordingly.

Kiss J.Z. 2006. Up, down, and all around: how plants sense and respond to environmental stimuli. Proceedings of the National Academy of Sciences (USA) 103: 829–830

Other sources include:

 http://www.school-for-champions.com/senses/fear.htm


 

A Critique on Craig Coussins Recent book: Bonsai School.

To introduce myself: I am one of  South Africa's Bonsai Masters. I recently published a book on the 'Bonsai Styles of the World'. This book is selling well at the moment and is distributed by Stone Lantern who also publish Bonsai Today Magazine.

 
I wished to give a short critique on Craig Coussins latest book "The Bonsai School", published by Silverdale books, 2002 and Sterling ,USA in 2003.
 
I found it a very impressive and large book which is beautifully illustrated with numerous colour photos, many taken by the author.
 
The philosophical approach of the writer can be found through out the book which make it just that more interesting.

The author has asked many famous Bonsai masters from America, Canada, South Africa, UK, Italy, China, Vietnam, New Zealand,  and many more too numerous to mention, to share with the reader the benefit of their own experience.
 

Personally I found the chapter on the design classes the most interesting,
but the book is full of excellent advice for all levels of bonsai growers.
 

Craig travels all over the world teaching Bonsai and he shares his experiences with the reader in a very enthusiastic way.
 

A wide range of subjects, from the origin of bonsai, the evolution over the centuries and much more is covered. He also explains the fascination of Chinese Penjing (Bonsai) as practised in China to the reader.
 
Craig also gives handy guidelines on basic needs for a number of most popular trees normally used for bonsai.
 
He discusses shelving and placing of trees, the caring of trees, soil mixes
for different trees, repotting, and many more subjects and techniques.
 
This book is a must for the advanced Bonsai grower as well as the novice as it not only beautifully illustrates how to create Bonsai but explains interesting techniques step by step.
 
I can definitely recommend the book to all bonsai lovers.
 
Charles Ceronio
South Africa 
----------------------------------------

In the early development of Bonsai in the West, there was little in the way of information for new enthusiasts practising bonsai; bonsai had no established base of practitioners as there was in Japan and China and very little in the way of written material. The internet was still many years from conception.

For the modern enthusiast however, there are a profusion of books, magazines and of course the internet, covering every aspect of Bonsai culture. Unfortunately, along with the good, there have also been an equal number of poorly written, poorly illustrated publications that seem to simply serve confusion and conflicting advice amongst beginners of this Art. Many books aimed at novices, have simply repeated the basic horticultural guidelines of bonsai without taking the reader onto the more complex, but far more interesting and rewarding aspect of bonsai design.

This is where The Bonsai School comes in. Outwardly, a large, glossy book (with over 250 pages and many pictures), it starts on a gentle amble through basic horticultural principles for bonsai, species information, a bonsai calendar and care guidelines. All very competently written and explained with some truly inspirational trees. Where this book excels is that it then takes the reader onto the creation and design of bonsai. There is so much to learn for not only the novice but also the advanced enthusiast.

The basic premise of The Bonsai School is that rather being written by just one author, explaining his own personal outlook on bonsai, it features a large array of articles, demonstrations and trees by a wide variety of very talented artists. The collation of all this knowledge results in a far more comprehensive book.

Craig Coussins (a very talented bonsai artist in his own right) travelled throughout America and Europe to work and photograph bonsai artists in their own gardens while they designed projects for The Bonsai School.

Parts One and Two of The Bonsai School deals with the basics of bonsai containing sound horticultural advice for both the novice and more experienced enthusiast alike. It also contains what has to be the most comprehensive account of Bonsai through history I have seen by both Craig Coussins and Robert J. Baran

Part Two is a course that deals with the creation of bonsai, including well illustrated accounts of various methods and techniques necessary for the care and cultivation, as well as the creation, of Bonsai.

Part Three is where the book really comes into it's own. We are treated to photo series' of demonstrations by Gary Marchal, Joe Day, Patrizia Capellaro, John Hanby, Valerio Gianotti, Tony Tickle, Michael Persiano, William Valavanis to name just a few! Each demonstration is well photographed, many by Craig Coussins, clearly explaining and illustrating a wide variety of techniques. Craig has kindly allowed Bonsai4me to feature one such demonstration by Italian Master, Salvatore Liporace, styling a Juniper. To see this example of The Bonsai School's photo series, please visit here.
BONSAI4ME.COM

Finally, part four comprehensively deals with bonsai pots, bonsai tools and an in-depth look at Suiseki or viewing stones including an article by renowned collector Felix Rivera.

Altogether, a very inspiring book that warrants repeated reading just to allow all the new information and techniques to sink in! Craig is reportedly releasing The Bonsai College in a couple of years, whether he can improve on this first book in the series, I don't know!

Bonsai4me.com
------------------------------------------------------------

 

 


 

 

 

Aspens
Birch
Buying from Nurseries
Elm
Grafting
Hawthorn
Insects and Disease

A glossary of tools used in Bonsai

Outdoor Bonsai:
Basics
How to Water
Feeding
Placement
Pruning
Shaping
Repotting
Problem Solver

Carving:
Shari and Jin
Uro
Holes
Scars
Tools and use
Carving Demos

Styles:
Cascade
Formal Upright
Literati
Mini Bonsai Styles
Raft
Slanting
Forests
Informal Upright
Literati
Rock Planting
Windswept
Making a Larch Group
Making a Group on a Slab
Making a Large Group
Making a Small Group

Other Styles:
Landscapes
Clump

Planting on Rocks:
Bonsai on Rocks
Making a Chinese Scene
Making Natural Scenes - Grand Canyon
Koos Le Roux

Repotting:
Basic Repotting
Repotting a medium size tree (Fukien Tea)
Juniper
Maples
One-Sided Roots
Finding the right size and style of pot
Hawthorn
Large Pine
Small to Medium Pine


Gardens:

Chinese Gardens:
History
Features of Chinese Gardens
Stone Features
Penjing
Water
Tings-pavilions
Story of Chinese Garden Design
 

Japanese Gardens:
Plans and Buildings
Stones and Gravel
Water and Bridges
 

European Gardens:
Spain-water and stone
Coolness and Tranquillity
Colour in Oriental Gardens: Berries, Leaves and Flowers

 


Books by Other Authors

Man Lung Penjing
This links you to a very extensive Penjing page that I have created around Manlung Penjing
------------------------------------------------

Authors Please note: if you would like your book listed on this website I require both the book for a critique and some digital images to create the link for your book. This will help sell your books faster


Available Now!

The definitive reference work on Ficus for bonsai. The book is a hardcover, 8.25 by 10.25 inch volume, with 144 pages in color, containing detailed information for the beginner as well as the advanced hobbyist.

This is a limited printing of 2000 copies, numbered and signed by the author.
Click here for more information 

Jerry is one of Americas leading exponents of Indoor, semi tropical and tropical Bonsai. A leading authority on Ficus, he has written a 'must have' book for growers of Ficus and for anyone that wishes to grow these fascinating trees. I have seen and worked with figs all over the world and because of that background I recommend Jerry's book as the most important element for your knowledge. I am delighted to announce that Jerry is to feature on my new book on Bonsai techniques that is due out late 2005.

Jerry Website: http://www.bonsaihunk.8m.com

Email him for copies of this excellent limited edition book: mailto:bonsaihunk@hotmail.com



Trip Photographs from New Zealand Singapore and Australia 

I spent six weeks in this region and took over three thousand images of wonderful trees, Penjing and Bonsai. These will be mounted over the Christmas 2003 period but in the meantime here are some general shots of my demos and workshops. I hope you like these.

-------------------------------------
Articles: Underlined are ready

Tools

  1. Cryptomeria
  2. Larch
  3. Maple
  4. Ramification
  5. White Pine
  6. Chinese Penjing

I am working on the following sections
right now.


Juniper
Olives
Carving
Bending Branches
Pines
Redwoods
Shari and Jin
Twin Trees
Beech
Broom Style
Displaying Bonsai
Ficus
Interesting Trees
Repotting
Group Planting
Refinement
Warm Climate Bonsai - 'Indoor Bonsai'
Wiring
Watering
Feeding
Trees and Roots
Yamadori - Collected Trees
Yew
Work in Progress
Making a Slab
Other Projects
Styles

Your First Bonsai Tree:
Indoor Bonsai:

Basics
How to Water
Feeding
Placement
Pruning
Shaping
Repotting
Problem Solver
Rock Features:


Masters Pages:

Joe Day
Alabama Bonsai
Bob Langholm - New Zealand
Dan Barton
François Jekker
Ed Trout
Guy Guidry
Jean Paul Polmans
John Armitage
John Yoshio Naka
Georg Reinhard
Howard and Sylvia Smith
John Hanby
Keith Beckett
Koos Le Roux
Patrizia Capellaro
Salvatore Liporace*
Tony and Frank Mihalic
Trevor Smith
Serge Clemence
Rob Atkinson
Mary Madison
Valerio Gianotti
Lit Van Phan
Gary Marchal
Craig Coussins

Penjing - The Art of Chinese Bonsai:
Man Lung, China

Suiseki:
Containers
Sands and Stands
Ligurian and Other European Stones
Pattern Stones
Rock Formations
Waterfall Stones
Suiseki Images
Chinese Suiseki - Gongshi
Indonesian Suisok
Felix Rivera

Shapes of Suiseki:
Mountains
Caves
People
Animals
Buildings
Abstract
Plateau
Landscape

Pots:
Antique Pots
Gordon Duffett
Master Pot Makers Around the Word
How to make a Bonsai Pot

Pots for Bonsai Company*

UNDER CONSTRUCTION

 

 
home I bonsai | suiseki | pots | singing bowls | photography | writings | the artist | contact | links


All content on this website is protected by Copyright © 2002-3-4-5, Craig Coussins.