|
Two
articles on Trees Sensing Danger
Do trees recognise danger? Do they hurt?
I heard a broadcaster, Ann Swithenbank on a weekly
gardening programme at the beginning of February talking about her
hatred of Bonsai .Ms Swithenbank felt that bonsai artists were torturing
the trees and that they should be left alone to develop into a full size
tree. Well everyone is entitled to their opinion, and despite many
hundreds of thousands of enthusiasts worldwide, and despite the fact
that growing small trees are part of some people’s national culture. MS
Swithenbank happily ranted against the entire hobby. Ms Swithenbank
then went on to decry Bonsai growers who display their collection on
Benches. I am not sure if this is much different from growing Pot plants
on benches in a greenhouse or outside. Or perhaps growing any plant in a
pot is offensive to some people. I am sure that this is the case. Well
bonsai growers actually have a life and their dedication in the hobby
can be just as interesting as any other part of the human need for
hobbies and pastimes. Not according to Ms Swithenbank who has just
stated that Bonsai growers are cruel. I do not see why this should be a
valid point of view though. To prune and keep the shape is not a great
deal of difference to mowing a lawn, pruning a hedge or any other
technique to keep something in shape and to keep the plant healthy and
full of vigour.
I don’t think that the Japanese art of Bonsai, the
Chinese art of Penjing , never mind the tray landscapes of Vietnam and
the knowledge handed down over thousands of years from father to son and
daughter should be so easily cast aside by someone in such a powerful
position as a television and radio presenter. For Ms Swithenbank to
damage the reputation of growers and enthusiasts all over the world is
less than savoury. Ms Swithenbank is a well known and talented
horticulturist so why she has chosen to attack a large segment of her
admirers and denigrate an entire hobby is somewhat less than pleasant.#

A bonsai is grown, created, styled, developed and
made into a stunning miniature representation of a mature tree. A bonsai
can be grown from a seed or shaped from a larger collected tree. The
collected tree is usually struggling as a living plant and ideal
collected trees may have perhaps one or two living branches while the
rest of the tree and perhaps part pf the trunk, being dead. These dead
elements are shaped by a master into shapes that illustrate the struggle
the tree has had in nature. . However, if the tree is not carefully put
into excellent soil, has its buds nipped back, pruned and cut, the tree
will not survive. After all whet is a dead tree but a dead tree. 
no more than six inches high
The size surprises some people with collected and
grown trees being anywhere from a few inches to over 2 metres. In nature
there re natural Bonsai, where the growth has been subjected to severe
wind, damaging falls of snow, freezing temperatures or blistering sun.
All depends on the country and climate of course. Left there, these
trees would eventually expire. The bonsai grower carefully studies the
tree, checks the root growth and after careful lifting, brings the
ailing tree back to their new home. Without the horticultural knowledge
then the collected tree would inevitably die.
Collecting trees and shrubs has been part of
horticultural knowledge gathering for centuries. Based on that
knowledge horticulturist have gained their extensive experience. Bonsai
growers simply make a tree that they grow a very happy tree and as you
can always see at an exhibition or in their gardens. A note to Ms
Swithenbank: The RHS would not have supported this hobby by allowing the
venerable Bonsai author and grower, Peter Chan to mount a wonderful
permanent exhibition at Wisley if they actually agreed with Ms
Swithenbank point of view. . Yes it is a point of view but some points
of view should be kept very quiet if it offends a huge part of the
society that Ms Swithenbank lives in. I reiterate that she is in a
powerful position and should know better than to alienate her fans and
the programmes fan base.
Craig Coussins.
Bonsai grower, author of five best selling books on
Bonsai and a fan of Anne Swithenbank
Do trees sense danger?
The giant Sequoia Sequoiadendron Gigantium will
have cones on its branches for fifty years and more but only shed the
seed if it feels threatened by fire, A common event in old woodlands.
Indeed most trees when sensing danger in its environment start to
conserve energy and shed seed. Indeed when some species such as Larch,
Larix Decidua, are threatened they will start to put on copious amounts
of cone and the energy expended in that will probably kill it but not
until the seed has a chance to disperse. There is a saying we have in
English called ‘going to seed’. That means that when trees are stressed
they will start to put on their seed making hats and go forth and
multiply.

In Bonsai it is sometimes the season near that
trees end game that we look for when collecting a tree from the wild,.
The tree may well be very old, have a large trunk and a lot of dead
brunches but with the one or two living branches but covered in cones or
seed pods that we can decide if we can save it or let it go. If we save
it then we have a natural tree with a lot of age and something that we
as artists can work up to make a wonderful old looking tree. Its all
part of the art of Bonsai.
So as a grower of nearly 40 years I can see that
trees do have a sense of danger when threatened and they will protect
their gene pool or species by ‘going to seed’. Is that an instinct? In
fact why should we not consider that trees have feelings? It may not be
feelings that we as animals would recognise perhaps . In most cases
plants that do seed will know when they are being stressed and they will
be able to something about it. Is that instinctive? If it was a animal
that we recognise we would say that was the case but for some reason we
seem less able to accept that a plant can feel danger and do something
about it.

Botanists at Rutgers University
infected some tobacco plants with a virus. Within a few days, tobacco
plants that were near the infected ones sensed the danger of the virus
and then produced a chemical in their leaves that would protect
themselves from the virus. The infected tobacco leaves gave off a
chemical odour that the healthy leaves sensed, thus triggering their
defensive mechanism. Plants, animals and humans can sense fear or danger
through a fine sense of smell or odour detection. Some do it through
sensing subtle vibrations. Finely tuned standard senses may explain some
psychic powers certain people seem to have.
John Z. Kiss, Professor of Horticulture and now
at Rutgers says: Plants rely on sophisticated mechanisms to interpret
the constant bombardment of incoming signals so they can adjust their
growth accordingly.
Kiss J.Z. 2006. Up, down, and all around: how
plants sense and respond to environmental stimuli. Proceedings of the
National Academy of Sciences (USA) 103: 829–830
Other sources include:
http://www.school-for-champions.com/senses/fear.htm
|
A Critique on Craig
Coussins Recent book: Bonsai School.
To introduce myself: I am one of
South Africa's Bonsai Masters. I recently published a book on the
'Bonsai Styles of the World'. This book is selling well at the moment
and is distributed by Stone Lantern who also publish Bonsai Today
Magazine.
I wished to give a short critique on
Craig Coussins latest book "The Bonsai School", published by
Silverdale books, 2002 and Sterling ,USA in 2003.
I found it a very impressive and
large book which is beautifully illustrated with numerous colour
photos, many taken by the author.
The philosophical approach of the
writer can be found through out the book which make it just that more
interesting.
The author has asked many famous
Bonsai masters from America, Canada, South Africa, UK, Italy, China,
Vietnam, New Zealand, and many more too numerous to mention, to share
with the reader the benefit of their own experience.
Personally I found the chapter on
the design classes the most interesting,
but the book is full of excellent advice for all levels of bonsai
growers.
Craig travels all over the world
teaching Bonsai and he shares his experiences with the reader in a
very enthusiastic way.
A wide range of subjects, from the
origin of bonsai, the evolution over the centuries and much more is
covered. He also explains the fascination of Chinese Penjing (Bonsai)
as practised in China to the reader.
Craig also gives handy guidelines on
basic needs for a number of most popular trees normally used for
bonsai.
He discusses shelving and placing of
trees, the caring of trees, soil mixes
for different trees, repotting, and many more subjects and techniques.
This book is a must for the advanced
Bonsai grower as well as the novice as it not only beautifully
illustrates how to create Bonsai but explains interesting techniques
step by step.
I can definitely recommend the book
to all bonsai lovers.
Charles Ceronio
South Africa
----------------------------------------
In the early development of
Bonsai in the West, there was little in the way of information for new
enthusiasts practising bonsai; bonsai had no established base of
practitioners as there was in Japan and China and very little in the
way of written material. The internet was still many years from
conception.
For the modern enthusiast however, there are a profusion of books,
magazines and of course the internet, covering every aspect of Bonsai
culture. Unfortunately, along with the good, there have also been an
equal number of poorly written, poorly illustrated publications that
seem to simply serve confusion and conflicting advice amongst
beginners of this Art. Many books aimed at novices, have simply
repeated the basic horticultural guidelines of bonsai without taking
the reader onto the more complex, but far more interesting and
rewarding aspect of bonsai design.
This is where The Bonsai School comes in. Outwardly, a large, glossy
book (with over 250 pages and many pictures), it starts on a gentle
amble through basic horticultural principles for bonsai, species
information, a bonsai calendar and care guidelines. All very
competently written and explained with some truly inspirational trees.
Where this book excels is that it then takes the reader onto the
creation and design of bonsai. There is so much to learn for not only
the novice but also the advanced enthusiast.
The basic premise of The Bonsai School is that rather being written by
just one author, explaining his own personal outlook on bonsai, it
features a large array of articles, demonstrations and trees by a wide
variety of very talented artists. The collation of all this knowledge
results in a far more comprehensive book.
Craig Coussins (a very talented bonsai artist in his own right)
travelled throughout America and Europe to work and photograph bonsai
artists in their own gardens while they designed projects for The
Bonsai School.
Parts One and Two of The Bonsai School deals with the basics of bonsai
containing sound horticultural advice for both the novice and more
experienced enthusiast alike. It also contains what has to be the most
comprehensive account of Bonsai through history I have seen by both
Craig Coussins and Robert J. Baran
Part Two is a course that deals with the creation of bonsai, including
well illustrated accounts of various methods and techniques necessary
for the care and cultivation, as well as the creation, of Bonsai.
Part Three is where the book really comes into it's own. We are
treated to photo series' of demonstrations by Gary Marchal, Joe Day,
Patrizia Capellaro, John Hanby, Valerio Gianotti, Tony Tickle, Michael
Persiano, William Valavanis to name just a few! Each demonstration is
well photographed, many by Craig Coussins, clearly explaining and
illustrating a wide variety of techniques. Craig has kindly allowed
Bonsai4me to feature one such demonstration by Italian Master,
Salvatore Liporace, styling a Juniper. To see this example of The
Bonsai School's photo series, please visit here.
BONSAI4ME.COM
Finally, part four comprehensively deals with bonsai pots, bonsai
tools and an in-depth look at Suiseki or viewing stones including an
article by renowned collector Felix Rivera.
Altogether, a very inspiring book that warrants repeated reading just
to allow all the new information and techniques to sink in! Craig is
reportedly releasing The Bonsai College in a couple of years, whether
he can improve on this first book in the series, I don't know!
Bonsai4me.com
------------------------------------------------------------
|
|
Aspens
Birch
Buying from Nurseries
Elm
Grafting
Hawthorn
Insects and Disease
A glossary of tools used in Bonsai
Outdoor Bonsai:
Basics
How to Water
Feeding
Placement
Pruning
Shaping
Repotting
Problem Solver
Carving:
Shari and Jin
Uro
Holes
Scars
Tools and use
Carving Demos
Styles:
Cascade
Formal Upright
Literati
Mini Bonsai Styles
Raft
Slanting
Forests
Informal Upright
Literati
Rock Planting
Windswept
Making a Larch Group
Making a Group on a Slab
Making a Large Group
Making a Small Group
Other Styles:
Landscapes
Clump
Planting on Rocks:
Bonsai on Rocks
Making a Chinese Scene
Making Natural Scenes - Grand Canyon
Koos Le Roux
Repotting:
Basic Repotting
Repotting a medium size tree (Fukien Tea)
Juniper
Maples
One-Sided Roots
Finding the right size and style of pot
Hawthorn
Large Pine
Small to Medium Pine
Gardens:
Chinese Gardens:
History
Features of Chinese Gardens
Stone Features
Penjing
Water
Tings-pavilions
Story of Chinese Garden Design
Japanese Gardens:
Plans and Buildings
Stones and Gravel
Water and Bridges
European Gardens:
Spain-water and stone
Coolness and Tranquillity
Colour in Oriental Gardens: Berries, Leaves and Flowers
|
|
Books by Other Authors
Man Lung Penjing
This links you to a very extensive Penjing page
that I have created around Manlung Penjing
------------------------------------------------

Authors Please note: if you
would like your book listed on this website I require both the book for
a critique and some digital images to create the link for your book.
This will help sell your books faster


Available Now!
The definitive reference work on
Ficus for bonsai. The book is a hardcover, 8.25 by 10.25 inch volume,
with 144 pages in color, containing detailed information for the
beginner as well as the advanced hobbyist.
This is a limited printing of 2000
copies, numbered and signed by the author.
Click here for more information
Jerry
is one of Americas leading exponents of Indoor, semi tropical and
tropical Bonsai. A leading authority on Ficus, he has written a 'must
have' book for growers of Ficus and for anyone that wishes to grow these
fascinating trees. I have seen and worked with figs all over the world
and because of that background I recommend Jerry's book as the most
important element for your knowledge. I am delighted to announce that
Jerry is to feature on my new book on Bonsai techniques that is due out
late 2005.
Jerry Website:
http://www.bonsaihunk.8m.com
Email him for copies of this
excellent limited edition book:
mailto:bonsaihunk@hotmail.com


I spent six weeks in this region and
took over three thousand images of wonderful trees, Penjing and Bonsai.
These will be mounted over the Christmas 2003 period but in the meantime
here are some general shots of my demos and workshops. I hope you like
these.

-------------------------------------
Articles: Underlined are ready
Tools
- Cryptomeria
- Larch
- Maple
- Ramification
- White Pine
- Chinese Penjing
I am working on the following sections
right now.
Juniper
Olives
Carving
Bending Branches
Pines
Redwoods
Shari and Jin
Twin Trees
Beech
Broom Style
Displaying Bonsai
Ficus
Interesting Trees
Repotting
Group Planting
Refinement
Warm Climate Bonsai - 'Indoor Bonsai'
Wiring
Watering
Feeding
Trees and Roots
Yamadori - Collected Trees
Yew
Work in Progress
Making a Slab
Other Projects
Styles
Your First Bonsai Tree:
Indoor Bonsai:
Basics
How to Water
Feeding
Placement
Pruning
Shaping
Repotting
Problem Solver
Rock Features:
Masters Pages:
Joe Day
Alabama Bonsai
Bob Langholm - New Zealand
Dan Barton
François Jekker
Ed Trout
Guy Guidry
Jean Paul Polmans
John Armitage
John Yoshio Naka
Georg Reinhard
Howard and Sylvia Smith
John Hanby
Keith Beckett
Koos Le Roux
Patrizia Capellaro
Salvatore Liporace*
Tony and Frank Mihalic
Trevor Smith
Serge Clemence
Rob Atkinson
Mary Madison
Valerio Gianotti
Lit Van Phan
Gary Marchal
Craig Coussins
Penjing - The Art of Chinese Bonsai:
Man Lung, China
Suiseki:
Containers
Sands and Stands
Ligurian and Other European Stones
Pattern Stones
Rock Formations
Waterfall Stones
Suiseki Images
Chinese Suiseki - Gongshi
Indonesian Suisok
Felix Rivera
Shapes of Suiseki:
Mountains
Caves
People
Animals
Buildings
Abstract
Plateau
Landscape
Pots:
Antique Pots
Gordon Duffett
Master Pot Makers Around the Word
How to make a Bonsai Pot
Pots for Bonsai Company*
UNDER
CONSTRUCTION
|
|