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Baiitsu Yamamoto
(1783 - 1856) |
Painter at the latter part of the Edo period.
Born in Owari. He has several pen names except
Baiitsu such as Shunen or Gyokuzen or Baika.
Moved to Kyoto with Chikudo Nakabayashi and
established his fame. He made friends with Sanyo
Rai and Seigan Yanagawa. Late in his life, he
came back home and became an official painter
for the domain of Owari.
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Bakusen Tsuchida
(1887 - 1936) |
Born in Sado, Niigata Pref. His given name is
Kinji. Entered the Kyoto Municipal College of
Painting, where he studied Japanese classical
painting and the Western contemporary philosophy
of painting. His style developed an inner
neo-classicism. |
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Buncho Tani
(1763 - 1840) |
Painter at the latter part of the Edo period.
Born in Edo. Created new painting style that
several painting idioms such as Chinese and the
Kano school's and the Tosa school's and even
Western were adopted. Then, became a
prominent figure of the Edo painting circle.
Kazan Watanabe is his pupil. |
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Bunrei Maekawa
(1837 - 1917) |
Born in Kyoto. Learned painting technique from
his father Gorei Maekawa.
Good at painting flowers and birds. |
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C
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Chikanobu Kano
(1660 - 1728) |
Painter at the middle part of the Edo period.
Son of Tsunenobu. The 3rd head of the Kobikicho
Kano family. Took over his father's former
position as an official painter for the Tokugawa
Shogunate. |
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Chikatoshi Enomoto
(1898 - 1973) |
Pupil of Kiyokata Tsuburaki. Graduated from the
Tokyo School of Fine Art. Won a special prize
for the Imperial Art Academy Exhibition.
Good at painting women figures. |
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Chikuden Tanomura
(1777 - 1835) |
Painter at the
latter part of the Edo period. Born in Bungo.
Learned painting technique from Buncho Tani. And
studied Chinese painting techniques.
He was a person of multiple talents and also
good at making poems, writing letters
and characters, tea ceremony and others.
Chokunyu Tanomura is his pupil. |
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Chikuho Mizuta
(1884 - 1958) |
Nanga style
Painter. Born in Osaka.
His given name is Chuji.
His younger brothers are Kenzan Mizuta and Juhei
Kaname.
Studied painting under Chukugai Himeshima.
Good at painting Sansui landscape view pictures.
Established the Japan Nanga Institute with
Shuson Kohno, Chikuson Tajika and Kaido Yamada.
Judge of both the Teiten Exhibition and the
Shin-Bunten Exhibition.
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Chosei Miwa
(1902 - 1983) |
Born in Niigata Prefecture. His given name is
Nobuo.
Graduated from the Kyoto Art School. Pupil of
Insho Domoto.
Later, Chosei married with Mitsu, younger sister
of Insho.
Member of the Japan Art Academy, Adjudicator of
the Nitten Exhibition. |
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D
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Doshun Kano
(1747 - 1797) |
Painter at the latter part of the Edo period.
The 4th head of the Surugadai Kano school.
Painted the folding screen for the king of Korea
by order of Tokugawa Shogunate. He was conferred
the "Shikibu-Kyo Hogen" rank. |
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E
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Eitoku Kano
(1543 - 1590) |
Painter at the latter part of the Muromachi
period and at the Azuchi-Momoyama period. Born
in Yamashiro (Kyoto) area. The 5th head of the
Kano family. Served Oda Nobunaga and Toyotomi
Hideyoshi. Decorated Nobunaga's Azuchi castle
and Hideyoshi's Osaka castle. |
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F
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Fuko Matsumoto
(1840 - 1923) |
Japanese painter. His given name is Takatada.
Fuko is his pen name. Another pen name is Angado.
Learned painting technique from Yosai Kikuchi
and others, then became a leading figure of
historical paintings. Educated Shiko Imamura and
Seiju Omoda and others. |
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G
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Gaho Hashimoto
(1835 - 1908) |
Born in Edo. Son of Seien Hashimoto who was an
official painter for the domain of Kawagoe.
Learned painting technique of the Kano school.
When the Tokyo School of Arts was founded, he
was appointed professor with Fenollosa and Tenshin
Okakura. Later, he founded the Japan Art
Institute. He fostered Shunso, Taikan, Kanzan,
Gyokudo and others. |
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Ganku Saeki
(1749 - 1839) |
Painter at the latter part of the Edo period.
Patriarch of the Kishi school. Born in Kanazawa.
Went to Kyoto and attended on Prince Arisugawa.
Became an official painter for the Imperial
Court. Good at painting sansui and animals
and flowers. Especially good at painting tigers. |
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H
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Hoitsu Sakai
(1761 - 1828) |
Painter and poet at the latter part of the Edo
period. Younger brother of Himeji domain head.
Son in law of Bunnyo who was the 18th head of
Nishi-Hongan-Ji Sect. Adopted sketch technique,
Ukiyo-e technique and also the techniques of the
Tosa school and the Maruyama school. At last, he
admired Korin Ogata who is the patriarch of the
Rin school. |
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Hokusai Katsushika
(1760 - 1849) |
Ukiyo-e printmaker and painter. Born in Edo. His
real name is Tetsuzo. There are over 30 pen
names for him except Hokusai. Learned painting
techniques of Ukiyo-e and the Kano school and
the Tosa school. Later he adopted a more western
style under the influence of Kokan Shiba.
"Thirty six views of Mount Fuji" is the most
popular one of his artworks. |
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Iccho Hanabusa
(1652 - 1724) |
Painter at the middle part of the Edo period.
Born in Osaka. Learned painting technique from
Yasunobu Kano. Became a patriarch of the Iccho
school. He also learned Haiku poem from Basho
Matsuo. His pen name for Haiku is Gyoun. |
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J
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Jakuchu Ito
(1715 - 1800) |
Painter at the middle or latter part of the Edo
period. Born in Kyoto as a son of rich wholesale
greengrocer. Studied Kano painting first, then
influenced by Chinese Yuan and Ming paintings.
At the age of 40, transfered resposibility
for the family to his younger brother. Good at
painting animals and flowers with a realism.
Especially good at painting fowls (cocks). |
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Jippo Araki
(1872 - 1944) |
Born in Nagasaki Prefecture. His given name is
Teijiro. Went to Tokyo and studied painting from
Kanpo Araki. Later became his adopted son. Good
at painting birds and flowers. |
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Kanjo Adachi
(1864-1948) |
Born in Kumamoto. Given name is Kanzo. Son of
Jihei Adachi, Samurai of the Kumamoto Domain.
Held ministerial posts before World War 2. Head
of the Kokumin Domei Party. |
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Kanpo Araki
(1831 - 1915) |
Born in Edo. Studied painting under Kankai
Araki. Later, became his adopted son. Enjoyed
Yodo Yamanouchi (=Top of Tosa Domain)'s favor
and became an official painter of the domain.
After the Meiji Restoration, he became a
teacher of the Tokyo School of Fine Arts. |
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Kanzan Shimomura
(1873 - 1930) |
Born in Wakayama Prefecture. His given name is
Seizaburo. Studied painting under Hogai Kano and
Gaho Hashimoto. Graduated from the Tokyo School
of Fine Art. Participated in establishing the
Japan Art Institute with Taikan Yokoyama and
Shunso Hishida. Teacher of the Tokyo School of
Fine Art. |
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Katsumi Aizu
(1903-1991) |
Born in Fukushima Prefecture. Graduated from the
Kyoto School. Was accepted for the Teiten
Exhibition and Bunten Exhibition. |
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Kayo Yamaguchi
(1899 - 1984) |
Born in Kyoto. His given name is Yonejiro.
Studied painting under Goun Nishimura from his
childhood. Graduated from the Kyoto Municipal
College of Painting. Good at painting animals
and flowers with realism. Became a
leading figure in Kyoto's art community after
World War 2.
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Keibun Matsumura
(1779 - 1843) |
Born in Kyoto.
His given name is Naoharu, another pen name is
Kakei.
Studied the Shijo-ha style painting under his
great old brother, Goshun.
Good at painting Flowers & Birds pictures.
Succeeded to his brother and led the prosperity
of the Shijo style painting school.
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Kogyo Terasaki
(1866 - 1919) |
Born in Dewa (=Now Akita Pref.). Studied the
Kano, the Shijyo and the Nanga
painting styles. Found the Japan Art Institute
in cooperation with Tenshin Okakura. Teacher of
the Tokyo School of Fine Arts. |
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Korin Ogata
(1658 - 1716) |
Painter and lacquer worker at the former or
middle part of the Edo period.
Born in Kyoto. Second son of Soken Ogata. Kenzan
is his younger brother.
Learned painting technique from Soken Yamamoto.
As he admired Koetsu Honami and Sotatsu Tawaraya
so that he intended to revive their styles.
Established decorative and splendid expression
world. |
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Masanobu Kano
(1434? - 1530?) |
Painter at the latter part of the Muromachi
period. Patriarch of the Kano school. Born in
Izu District. Became an official painter for
Ashikaga Shogun family that was the leader of
samurai during the Muromachi period.
He Japanized Chinese painting style. |
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Masunobu Kano
(1625 - 1694) |
Kano painter at the middle part of the Edo
period. His pen name is Tohun. Real son of
metal-carving craftsman Ritsujo Goto. Became
son-in-law of Tanyu Kano. He was conferred the "Hogen"
rank by Iemitsu Tokugawa, the 3rd Tycoon of
Tokugawa Shogunate. Patriarch of the Surugadai
Kano school. |
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Mitsuoki Tosa
(1617 - 1691) |
Painter at the former part of the Edo period.
Born in Sakai of Izumi. Son of Mitsunori. Became
a official painter for the Imperial Court in
1654. Revived the Tosa school. |
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O
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Okyo Maruyama
(1733 - 1795) |
Painter at the latter part of the Edo period.
Born in Tanba District. Patriarch of the
Maruyama school. He learned the idiom of the
Kano school at first.
Later, he established his own style by adopting
Chinese painting idioms and Western perspective
drawing technique. Good at painting animals and
flowers. |
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R
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Ryuu Shimazaki
(1865 - 1937) |
Born in Edo. At first, he learned Western
painting from Kenkichi Sakurai. Later, he turned
his painting style to Japanese. Learned
technique of the Yosai school from Fuko
Matsumoto, and also learned technique of the
Maruyama school from Gyokusho Kawabata. Good at
painting Japanese beautiful girls. |
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S
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Seison Maeda
(1885 - 1977) |
Born in Gifu Prefecture. Entered the painting
school of Hanko Kajita. Member
of the Imperial Art Academy. He was awarded the
Order of Cultural Merit. |
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Shunso Hishida
(1874 - 1911) |
Born in Iida, Nagano Pref. His given name is
Mioji. Entered the Tokyo School of Fine Arts and
received lessons from Gaho Hashimoto. He took
part in the establishment of the Japan Art
Institute with Taikan Yokoyama. Shunso
and Taikan and Kanzan and Buzan are called the
big four under Gaho Hashimoto's tuition. |
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Sosen Mori
(1747 - 1821) |
Painter at the latter part of the Edo period.
Born in Nagasaki. Studied the Kano school
technique from Josyunsai Yamamoto. Influenced by
Okyo Maruyama's realism. Good at painting
animals especially monkeys and deer. |
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Suizan Miki
(1887 - 1957) |
Born in Hyogo Pref. His given name is Saiichiro.
Studied painting under Seiho Takeuchi. Won some
prizes at the Bunten and the Teiten exhibitions. |
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T
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Taikan YokoYama
(1868 - 1958) |
Born in Mito District of Ibaraki Pref. His given
name is Hidemaro. Entered the Tokyo School of
Arts and studied under Tenshin Okakura and Gaho
Hashimoto.
Helped Okakura found the Japan Art Institute in
cooperation with Shunso Hishida and Kanzan
Shimomura. He kept innovating Japanese arts
throughout the Meiji and Taisho and Showa eras.
Received the Order of Cultural Merit and others. |
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Tanyu Kano
(1602 - 1674) |
Painter at the former part of the Edo period.
Son of Takanobu. Elder brother of Naonobu and
Yasunobu. Brought a breath of fresh air to the
Kano school.
Patriarch of the Kajibashi Kano school. |
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Tessai Tomioka
(1836 - 1924) |
Nanga painter. Born in Kyoto. Learned Japanese
classical literature and Chinese classics. Came
to be lodged with the poet and nun Rengetsu
Otagaki.
Interacted with Imperial loyalists in the last
days of the Tokugawa shogunate.
After the Meiji Restoration, served as a Shinto
priest at several different shrines. Founded the
Southern School of Chinese Painting Asscociation
of Japan (Nihon Nanga Kyokai) with Chokunyu
Tanomura and the others. |
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Tsunetomi Kitano
(1880 - 1947) |
Born in Ishikawa Pref. His given name is
Tomitaro. Moved to Osaka and learned Ukiyo-e
technique of the Utagawa school from Toshitsune
Inano. Became a leading figure in Kyoto's art
community for painting beautiful girls. |
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Y
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Yasunobu Kano
(1613 - 1685) |
Painter at the former part of the Edo period.
Patriarch of the Nakabashi Kano school. Born in
Kyoto. Younger brother of Tanyu and Naonobu.
Studied painting under Koi Kano. He was
conferred the "Hogen" rank. Good at painting
flowers and birds, landscapes, figures,
Buddhistic arts and also good at appraising. |
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Yosai Kikuchi
(1788 - 1878) |
Born in Edo. His real first name is Takeyasu.
Served the Tokugawa government.
At first, he learned painting technique of the
Kano school from Enjyo Takada.
Then, learned the other techniques of Japanese,
Chinese and Western idioms.
He studied ancient practices in Japan, and was
good at painting historical scenes. Patriarch of
the Yosai school. |
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Yukihiko Yasuda
(1884 - 1978) |
Born in Tokyo. His given name is Shinzaburo.
Studied painting from Tomoto Kobori and Tenshin
Okakura. Participated in the restoration of the
Japan Art Institute. Good at painting historical
subjects with elegant and
sophisticated techniques. |
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Usen Ogawa
(1868 - 1938) |
Born in Tokyo. His given name is Mokichi.
Studied Western-style painting from Kinkichiro
Honda. Became Manga artist and illustrator.
Started drawing Japanese paintings at Tatsuko
Kawabata's suggestion. Member Japan Fine
Art Academy from 1917. |