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Photographs from February 2006 Tour If all images do not immediately show refresh your page and they will appear.
Preamble:Ohio, Dawes, and Pun-Ching
In 2005 I was asked by Keith M Stevens, the Japanese gardens Curator at the Dawes Arboretum, to head up their convention weekend as their first International Speaker. I flew over for the weekend and worked throughout to entertain and hopefully inspire the bonsai enthusiasts in the Ohio Area. During the visit I had a look at their Bonsai Collection. The Bonsai exhibition section is a beautiful area designed and looked after by Keith. Unfortunately the Bonsai collection did not really match up to the exhibition space and I carefully suggested that. the result was that I was given the opportunity to restyle , or rather recover some very overgrown trees that could have been bonsai at one stage in their lives. With the help of some of the better bonsai folk who wired to my specifications , I managed to style six trees on the Sunday afternoon before I left. I was asked, subsequently, by Keith to return and go through the rest of the collection. I returned for a week in February 2006 and managed to get through some of the better trees but in the end that still only came to around a third of the collection.
Background to the collection:
The Dawes Arboretum was presented with a collection of thirty Bonsai by Mr and Mrs Lyle Flowers of West Virginia.
Lyle gave his collection to the Dawes in 2004. The collection of thirty trees spanned thirty years and the collection was accepted by the curator at that time Art Patznik. Art retired in 2004 and Keith M Stevens took over the collection at that time after working with Art for a while.
AFTERCARE: Spray three times a day for at least six weeks to keep the humidity levels up (like a giant cutting) and water to keep the soil damp. Please note that if this regime is NOT kept up then some of the finer growing wired tips will dry out and the tree will check .
Don't feed for six weeks and then half strength high nitrogen every two weeks to assist in bud growth. Read my books to learn about feeding and watering regimes.
Click any image to make larger.
Use the arrows on either side to run through the images
It has always been a case that when a gift of Bonsai is given that the very best of the trees are retained if these are the better ones and those others are either disposed of or used for training purposes. Not every tree in a collection can possibly be the best unless it is a well-known excellent collection. Unless a gift on money to cover the high maintenance cost of a collection is given at the same time, there is no other option of course. In this case many of the trees had been neglected probably due to Lyles ill health and when I saw the Bonsai I realised that they need a great deal of work to recover Lyles initial ideas. This year I asked that some of the trees be removed from the collection, as these were never going to be accepted as Bonsai and the better trees that we were restyling now made these trees look even worse. They were not wasted however as these could be planted outside in the ground and grown on as shrubs in the Dawes gardens. Maybe when they were fully-grown and full of growth, the curator may decide to lift these once more and make then into Bonsai again.
The photograph selection:
In this section I have included a few of the trees that we managed to do. We worked as a team as part of my remit was to train Keith, Jeff, Ken and others to enable them to look after and maintain the collection when I was not there.
Lyles Pine: The large Scots pine in the background of the photo of Lyle is the same one that we are presently working on. Lyle had not moved the tree since he planted this as a 20-year-old garden tree some 25 years previously. Lyle had bored a hole right through the rock to allow for drainage and we discovered this when we took the rock apart. Why did I want to do this? Well Lyle was experimenting with root over rock and the tree had not actually fully attached itself to the rock and was unstable apart from the taproot that had grown through the hole in the rock. The original planting was perhaps not the way that Lyle would have thought out later in his years of experience. The only way we could make sure, that this tree would have many more years of health and vigour was to carefully part the tree from the rock, retain 90% of the roots and replant the entire tree in a Bonsai pot. Through the images, you will see that this was more of an engineering job than replanting. . The finished image was worth the hours of effort though.
AFTERCARE: Spray three times a day for at least six weeks to keep the humidity levels up (like a giant cutting) and water to keep the soil damp. Please note that if this regime is NOT kept up then some of the finer growing wired tips will dry out and the tree will check .
Don't feed for six weeks and then half strength high nitrogen every two weeks to assist in bud growth. Read my books to learn about feeding and watering regimes.
Click any image to make larger.
Using the picture gallery: Click on a pic for a larger image and description -If you also run the curser over each image you will get a short description without clicking on the image-coming next week
AFTERCARE: Spray three times a day for at least six weeks to keep the humidity levels up (like a giant cutting) and water to keep the soil damp. Please note that if this regime is NOT kept up then some of the finer growing wired tips will dry out and the tree will check .
Don't feed for six weeks and then half strength high nitrogen every two weeks to assist in bud growth. Read my books to learn about feeding and watering regimes.
Click any image to make larger.
Craig was also our guest artist at the 25th Ohio regional bonsai show in June 2005. A great teacher and speaker, Craig is very humorous. You should not miss a chance to hear Craig speak or participate in one of his workshops.
Keith M Stevens
Curator of The Japanese Garden/Bonsai Collection
The Dawes Arboretum
Craig Coussins, attended our annual bonsai show in 2005 and because of his knowledge was requested by Dawes Arboretum to come back the following year and help restore their Bonsai Collection. Several members from the local Pun-Ching Bonsai Club attended and worked under Craig’s watchful eye for a solid week as we restyled several large pieces from the collection. His humorous yet insightful way of coaching is a pleasant change to the very serious instructors that I am sure we have all attended at one point or another. Craig keeps things from becoming stale with his stories from his many travels. Not only I, but also many others in our club have benefited from his vast knowledge on basic horticulture to the more advanced and difficult techniques. Not to mention the normally un-taught tips and tricks to re-styling overgrown trees. I would recommend Craig Coussins to any Club or Expo out there; as I am sure, he would have a thing or two to teach them… J
Pun-Ching Bonsai Club, Newark, Ohio
Best Wishes,
Jeff Carr
Staselwood Bonsai, Newark, Ohio
North America 2006 tour Demos
Texas: Dallas and Forth Worth Bonsai Clubs
Louisiana: Shreveport Bonsai Club
Colorado: Denver and Fort Collins
Ohio: Akron Canton Bonsai Club and Wildwood Gardens
Ohio: The Dawes Arboretum Collection
Vancouver Island: Landscapes
Vancouver Island: Victoria Bonsai clubs demo and Workshop
Washington State: Puget Sound Bonsai Association, Seattle
Testimonials from around the globe
Other Craig Coussins photo pages on this website. Some are 2min downloads. If it comes up with page not found simply refresh the page and it will reappear for you.
Landscapes,
Russia, Moscow and St. Petersburg
Images General-Landscape and urban
landscape
Niagara Falls and Toronto March 2005
Gallery of images site-If you like my photographic work
Please visit some of my other images at:
http://www.photobox.co.uk/craig.coussins@btinternet.com
With regard to one of my albums
titled California- Black and White Images/ California and Utah
One viewer made the following comments:
Emotionally powerful. Takes you outside
yourself in an instant.
Even over the internet this comes across.
Thank you for sharing such spectacular work, Ann Thomas