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Cedar in Snow Sansui Ga A superb image of snow dusted cedars . Tori Gates to a temple looking down from high in the valley 177x47cms

Sages in a Bamboo Grove62x190cm 24.4x 74.8 4 Recently restored with beautiful silk mounts. £190

Painted by scroll artist Saneatsu Mushakoji, the little Waka Poem says: 'Always Green'

The Design follows Chinese precedents with which the artist was undoubtedly familiar, but the brushwork and composition have an individualistic flair that epitomises Japanese techniques. In particular, the uplifting energy of the work is ubiquitous. Chikuson (Ishikawa Katsumi) was born in Tokyo in 1883. He began his studies under Matsumoto Fuuko, and later Ikeda Kimpo and Okada Kaien

There was some damage on the painting but we managed to do what we could and after mounting I believe that we have brought back to life a truly wonderful example of Sumi Sansui Ga painting

The evening sun over the winter landscape casting long shadows through the grove of trees on the hill is quite remarkable. Its a very old painting which has now been enhanced by its new silks and period wood ends

Summer Forest painted onto silk by Scroll Artist Aihi with original artists Box. 1970 23.7 X75.5

Birch trees, pines and cedars, with a waterfall coming out of the forest into a lake.
A Kamo-duck takes off and flies over the water. A misty mountain in the background adds depth to this
wonderful image of a summer day in the mountains.

A recently restored 19th century short scroll of an incredible landscape by Raisho Nakajima painted in 1850. With specially made box in antique Kimono silk from the same period box £225

Hanzan Fuji san no Matsu Asahai Tsuru- Mount Fuji Pines and Rising Sun with a herd of Cranes, circa 1960

This next one is very beautiful and I am sorry that the picture does not do it justice. It is really outstanding.

Notes on Sliding screen doors: Fusuma shouji-e 襖障子絵. Paintings on sliding-door panels

Fusuma (襖) are vertical rectangular panels which can slide from side to side to redefine spaces within a room, or act as doors. They typically measure about 90 centimetres (3.0 ft) wide by 180 centimetres (5.9 ft) tall, the same size as a tatami mat, and are two or three centimetres thick. . They consist of a lattice-like wooden under structure covered in cardboard and a layer of paper or cloth on both sides. They typically have a black lacquer border and a round finger catch. Both fusuma and shoji (sheer, translucent paper room dividers) run on wooden rails at the top and bottom. The upper rail is called a kamoi (鴨居^?), literally "duck's place", and the lower is called a shikii (敷居^?). Traditionally these were waxed, but nowadays they usually have a vinyl lubricating strip to ease movement of the fusuma and shōji.The panels slide along grooves at the top and bottom of the door frame and function as doors and room dividers.
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The term *shouji-e 障子絵 was popular during the Heian period and still used interchangeably with fusuma-e, but the latter term is more commonly heard today. In addition, the term shouji-e in the strict sense includes paintings on free-standing screens, tsuitate 衝立, as well as fusuma-e. The earliest reference to paintings on sliding doors in Japan comes in the 8c in the Shousouin 正倉院 records from 762 . Although no paintings survive from the Heian period, many literary and pictorial references suggest that paintings on sliding doors were popular interior decorations in the shinden style, *shinden-zukuri 寝殿造, architecture employed for the palaces and residences of courtiers. Most extant fusuma paintings date from 15c on, and were done in ink painting, *suibokuga 水墨画, painting with bright colors against gold background, *kinpekiga 金碧画, and *yamato-e やまと絵. Fusuma-e were sometimes taken off their sliding door frames (in which case they are called mekuri めくり) and re-mounted onto folding screens, *byoubu 屏風, or large hanging scrolls,*kakejiku 掛軸, for preservation.
This section is cited to http://www.aisf.or.jp/~jaanus/deta/f/fusumae.htm
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Landscape with cedars and birch, spruce and Pine.
Created by the famous landscape -Sansui Ga- painter Nakanishi Koseki (1807-1884)

Signed artist name "Koseki" and sealed. Nakanishi Koseki (1807-1884), scholar artist, active in Kyoto from late Edo to early Meiji era.
He was from Fukuoka-ken. He is the painter who played an active part in Meiji Era.

Biography Kôseki, Nakanishi 耕石中西

Koseki although born in Osaka he was brought up in Fukuoka Prefecture (福岡県 Fukuoka-ken) is a prefecture of Japan located on Kyūshū Island.
He studied under the great artist Oda Kaisen (1785-1862) a Nanga painter,in Kyoto. It was here that he established himself as a top rated artist. He also studied the Southern Chinese style. This resulted in a style which is typical for the Meiji nanga style. He moved back to Osaka when he was 26, and lived there for the rest of his life. He was very popular in the Kansai area. During the late Edo and early Meiji period he was considered one of the best landscape artists in Japan, alongside Taizan (Hine Taizan, 1813-1870). His works are in a number of private collections and museums, including the Ashmolean.

References:
Araki, Tsune (ed), Dai Nihon shôga meika taikan, Tokyo 1975 (1934), p.1555
Roberts, Laurance P., A Dictionary of Japanese artists, New York, 1976, p. 91

Raisho Nakajima - 1796-1871